martes, 10 de noviembre de 2020

La lengua de Sinuhé: Gramática del egipcio clásico

La lengua de Sinuhé: Gramática del egipcio clásico
Josep Padró
Es opinión generalizada que la Egiptología nació en 1822 con el desciframiento de los jeroglíficos por J.-F. Champollion. Por tanto, se puede decir que es el conocimiento de la lengua egipcia lo que convierte a todo investigador en un verdadero egiptólogo, sea cual sea su especialización (arqueología, religión, historia…). Josep Padró, con más de treinta años de experiencia en la docencia de la egiptología y de la lengua egipcia, ha creído que era necesario redactar, en nuestro idioma, una herramienta de iniciación, a la vez teórica y práctica. Por eso, ésta gramática básica del egipcio clásico debería servir para que, no sólo los estudiantes de egiptología sino también los aficionados, que son multitud, puedan adentrarse en la lengua de esta apasinante civilización. El aparato teórico, morfológico y sintáctico, se complementa con ejercicios, listas de signos, vocabulario y una antología de textos. Es su filosofía práctica la que convierte a esta gramática en un manual imprescindible.
Tapa dura : 380 páginas
ISBN-13 : 978-8484328643
Editorial : Editorial Crítica

 

Stela of Amenhotep



Stela of Amenhotep
This rectangular stela with a cavetto cornice and a torus moulding has been crowned with another triangle which represents a pyramidion. In this context the decoration of the solar disk over water lines, the udjat-eyes and the cup are entirely fitting. These elements are also found in the top sections of other stelae. A winged disk has been added to the cavetto cornice. A border with inscription surrounds the stela's interior, which has been divided into two registers with the usual contents. Above is the veneration by the deceased of Osiris followed by the Goddess of the West, the Mistress of the Necropolis. Below is the funerary offering for Amenhotep's parents, which is brought by Amenhotep and his wife Kia, as well as a smaller representation of the ritual priest of Ptah, Pa-tir. The images and hieroglyphs have been painted in a dull yellow, symbolizing the golden light of the sun. The monument is thus also dedicated to the cult of the parents. The same situation applies to another three stelae erected by Amenhotep, usually designated with the abbreviation Huy, now in Vienna, Naples, and Rio de Janeiro.
Present location KUNSTHISTORISCHES MUSEUM [09/001] VIENNA
Inventory number 178
Dating 19TH DYNASTY (not before); SETHOS I/MENMAATRE ?; 19TH DYNASTY (not after)
Archaeological Site UNKNOWN
Category STELA
Material LIMESTONE
Technique HEWN; CARVED; ENGRAVED
Height 120 cm
Width 70.2 cm
Depth 13 cm
Translation
2a) An offering which the king gives to Osiris, Foremost of the West, the great god, the ruler of eternity. Greetings to you, lords of everlastingness, who go as crew of heaven, as crew of the hourly service, who live forever! I have presented you with Maat. I cause Maat to ascend to you. For the Ka of the scribe of the table, Amenhotep.
2b) An offering which the king gives to Ptah-Sokar, the Lord of Shetit. I desire transformation in the necropolis. I have come to you, Lord of Ta-djeser, Osiris, Foremost of the West, so that you may give transformation in heaven, power on earth, and justification in the necropolis to the Ka of the scribe of the table of the Lord of the Two Lands, Huy, true of voice.
3) Osiris, Foremost of the West,
4) the great god, the Lord of Eternity,
5) the Lord of the Throne of Everlastingness.
6) The beautiful goddess of the West, the Mistress of Everlastingness.
7) Adoring Ptah-Sokar,
8) Praising Osiris,
9) Kissing the earth in front of
10) the Lord of Ta-djeser
11/12) by the Scribe of the Table of
13) the Lord of the Two Lands, the Master of Festivals
14) of Osiris, Amenhotep.
15) The Osiris, the Staff-bearer
16) of the Lord of the Two Lands,
17) Pehui true of voice.
26) Tii true of voice
18) An offering of all
19) good and pure things, bread and
20) beer, meat and poultry
21) by his son,
22) the Scribe of the Table of the Lord of the Two Lands, Huy
23) His sister, whom he loves, the mistress of the house,
24) Ki.
25) The lector priest of Ptah, Pa-tir.
Bibliography
Lieblein. J., Dictionnaire de noms hiéroglyphiques (1871) 216, Nr. 644.
Bergmann, E. von, Übersicht der ägyptischen Alterthümer (1876) 39, Nr. 115; (21878) 36, Nr. 115; (61886) 39, Nr. 115.
Bergmann, E. von, Inschriftliche Denkmäler I, in: Recueil de Travaux rélatifs à la philologie et à l'archéologie égyptiennes et assyriennes (RecTrav) 7 (1886) Nr.12.
Satzinger, H., Das Kunsthistorische Museum in Wien. Die Ägyptisch-Orientalische Sammlung. Zaberns Bildbände zur Archäologie 14. Mainz. 1994.
Seipel, W. (ed.), Götter Menschen Pharaonen, Speyer (1993) = Dioses, Hombres, Faraones, Ciudad de México (1993) = Das Vermächtnis der Pharaonen, Zürich (1994).

 

Mortuary texts of the priest Khons-iu

Mortuary texts of the priest Khons-iu
The corpus of spells in the Book of the Dead does not only consist of texts, every "chapter" could also be accompanied by an illustration. At an early stage a shorthand form of these was developed which the scribes were able to produce with their reed pens. The funerary papyrus of Khonsu-iu shows this remarkable graphic art tradition at its finest and in great detail. Khons-iu [Khensêu] was a High Priest of Ptah in Memphis who died in 249 BC. He was one of a succession, a dynasty, of men who held this very important priestly function in the Late Period. Other members of his family are represented in the Viennese collection by the tomb stelae of his father An-em-her, his nephew of the same name, and the latter's sons Djed-her [Djedhó] and Hor-em-akhet [Harmákhe] (cf. inv. no. 125).
Present location KUNSTHISTORISCHES MUSEUM [09/001] VIENNA
Inventory number 3862
Dating PTOLEMAIC PERIOD; PTOLEMY II PHILADELPHUS (not after)
Archaeological Site UNKNOWN
Category PAPYRUS
Material PAPYRUS
Technique PAINTED
Bibliography
Verzeichnis der antiken Sculpturenwerke, Inschriften und Mosaiken des K.k. Münz- und Antikencabinets im unteren K.k. Belvedere (1826) 48, Nr. 474, 49, Nr. 475, 50, Nr. 476.
(Steinbüchel, A. v.,) Scarabées égyptiens illustrés du Musée des Antiques de Sa Majesté l'Empereur. Wien 1824.
Satzinger, H., Ägyptisch-Orientalische Sammlung Kunsthistorisches Museum Wien (museum), Braunschweig (Verlag Westermann), 1987.
Satzinger, H., Das Kunsthistorische Museum in Wien. Die Ägyptisch-Orientalische Sammlung. Zaberns Bildbände zur Archäologie 14. Mainz. 1994.
Seipel, W. (ed.), Wasser und Wein, Krems (1995).

 





cosmetic dish

 

Cosmetic dish in the shape of a tilapia fish; 1479–1425 BC; glazed steatite; 8.6 × 18.1 cm (3.4 × 7.1 in); Metropolitan Museum of Art

sábado, 7 de noviembre de 2020

Ostrakon with fragment of the Prophecy of Neferti


Ostrakon with fragment of the Prophecy of Neferti at LACMA (M.80.203.196)
Egypt, New Kingdom, Ramesside Period, 19th-20th Dynasty (1315-1081 BCE) Tools and Equipment; ostraka Limestone 5 1/8 x 5 11/16 in. (13 x 14.5 cm) Gift of Carl W. Thomas (M.80.203.196) Egyptian Art
The Prophecy of Neferti is one of the few surviving literary texts from ancient Egypt. The story is set in the Old Kingdom, under the reign of King Snefru. However, the text should be attributed to an individual named Neferyt, who most likely composed it at the beginning of the Twelfth Dynasty. The nature of the literary text is argued upon. There are a number of different theories stating that the literature is a historical romance in pseudo-prophetic form, political literature, religious motivation as well as a literary text created to change and improve the situation in Egypt during the Twelfth Dynasty. (wiki)